Challenging the traditional extruded core, the design of the SoMa Dance and Music Conservatory redefines the building “core” by integrating structure, mechanical systems, and programmatic elements through a strategic exploration of stratified density. Smaller, service-oriented spaces are vertically concentrated alongside mechanical and structural components, creating a vertically compact core. This approach allows for larger, open, and flexible spaces to support performances and social interactions. The contrast between the dense, opaque “worker floors” and the light, open-air plazas creates a dynamic balance, offering a diverse range of spatial and atmospheric experiences.
The site is seen as a field of changing objects with a projective future. Therefore, the project responds to the current site conditions, while also maintaining an autonomous attitude within a field of larger objects. Density is explored at every scale, from site, to façade details, to reinforce the divided core.
Winner of the USC School of Architecture ARCH 500A Fall 2016 Best Drawing Award
